Review: Rogue Rider by Larissa Ione

Rogue Rider by Larissa Ione

My rating: 4 of 5 stars



It seemed apropos that, since I read Immortal Rider and Lethal Rider while on vacation at Disneyland during RWA, I read the NetGalley e-arc of Rogue Rider while on vacation at Walt Disney World. Only I would bring dark romances to the happiest places on Earth.

I think this book is going to be very polarizing.

Immortal and Lethal were very dark with lots and lots of torture & death. Rogue Rider is the story of what happens after a war, a time of healing and rebirth. Pestilence is defeated, long live Reseph. The twist here, however, is that Pestilence and Reseph are the same person, just different personalities. Readers spent a long time abhorring Pestilence as he committed atrocious acts against the people we were rooting for. He slaughtered the innocent, took part in countless depravities, and came really close to ending civilization as we know it. Now Pestilence exists in a metaphorical cage within the body and the Reseph personality is in control. The question becomes how do you atone for something you did when you weren't yourself. Should you even have to? Reseph's entire family wants him dead, just to prevent the mere possibility of Pestilence rising again, and it's hard to fault them for that.

Ione does a good job of differentiating between Reseph and Pestilence. Actions aside, Pestilence's POVs from previous books differ in rhythm from Reseph's POVs in Rogue. I could totally pretend they were two separate people, allowing me to separate my loathing for Pestilence from my role as a cheerleader for Reseph. What tripped me up was the fact that Reseph is deeply damaged. Once he gets his memories back, he's a psychological mess. Ione did her damnedest, but I couldn't shake off my psych training and I felt he was ill-equipped to be in a relationship at all. He should have made peace with himself before he committed to someone else. As a result, Reseph becomes rather co-dependent on Jillian.

I was pretty focused on Reseph and Jillian, but Ione does tie up some loose ends, including finally revealing the identity of the Horsemen's father, and sets up Reaver for book five. If you are a big Reaver fan, you should read Rogue Rider, just so you're ready for his book. Actually, knowing Ione, if you plan on reading anything else set in this world, you should probably read this book.

Review: Relish: My Life in the Kitchen by Lucy Knisley

Relish: My Life in the Kitchen by Lucy Knisley

My rating: 4 of 5 stars



Snagged from NetGalley.

Like many people, I was first introduced to Lucy Knisley through French Milk and I've been following her LiveJournal ever since. I enjoyed French Milk so much, when I started working at the library here, I recommended they add it to our popular reading collection.

Relish is not a complete story like French Milk, but instead is a series of loosely linked vignettes. At the end of each chapter, Knisley provides a recipe that fits the theme of the chapter. Comfort food, this is not. While the recipes are fairly simple in design, they are not for picky eaters and could definitely be termed as gourmet. This is also not particularly vegetarian friendly. Knisley makes no apologies for loving foie gras, citing an incident from her childhood where she was attacked by a flock of geese. There was also a mildly disturbing brief glimpse of a turkey hanging from a meat hook. It's all relevant and not at all gratuitous, but let the non-meat eaters be warned.

You get what you see with Relish. Knisley keeps the focus very narrowly on memories of food. She touches on her parents' divorce, but never discloses why it happened or why her mother got (apparently) sole custody. I know from her LiveJournal that she's already done pieces on her ex-boyfriend and her time in Chicago, but she glosses over most of it, focusing on how she followed in her mother's footsteps as a cheese-monger. Knisley keeps things light, never revealing too much, and it feels like Lucy the Narrator is almost a fictional character, separate from Lucy the Creator.

I kinda wish that Relish had come before French Milk because Relish is very much an appetizer while French Milk is the entree. I'd love to see a volume about Knisley's professional growth as a cartoonist for dessert.

Review: Taking Shots by Toni Aleo

Taking Shots by Toni Aleo

My rating: 1 of 5 stars



I pretty much knew by page 15 that this was going to be a rough one for me and I basically forced myself to finish it. Lo and behold, my very first one star review.

When you write a book where one of the main themes is about the weight of the heroine, you have to be careful because a woman's weight is a sensitive thing. I'll be honest, part of the appeal of this book for me was that I thought the heroine was plus-sized (an erroneous assumption I made based on the Amazon synopsis). The heroine, Ellie, was a size two, but due to hypothyroidism, she ballooned up to 180 pounds and currently, she's down to a size ten, which she still considers fat. Towards the end of the book, when she drops down to a 'single digit' size, it's the one bright spot in her depression at the time.

I struggled with this. A lot. I told myself that any unwanted alteration to a woman's body, whether it be weight gain, scars, what have you, is going to be traumatic for that person. I wouldn't have a problem, after all, if she was calling herself ugly after gaining facial scars from a car crash, but I couldn't help it, I did have a problem with how Ellie's weight was portrayed. The median size for an American woman is 14. Set aside the weight issue, in 1941, the average height for a woman was 5'2". Today, it's 5'4". That means, based on your frame and bone structure, a woman's weight could range from 114lbs to 151lbs and still be considered healthy. Ellie's obsession with her weight, therefore, is practically an eating disorder.

One could argue that Ellie has a warped self-view, due to her mother's and sister's treatment of her, and therefore, doesn't recognize that she's on the low end of the scale. I'm not denying the likelihood of this, but Ellie has made every effort to cut her mother & sister out of her life. She clearly recognizes they're not a healthy influence nor do they have her best interests at heart. So I don't understand why she would continue to take their criticism about her weight to heart or why she'd believe her sister when her sister claims that Shea kissed her, leading Ellie to spectacularly dump him without listening to a word of explanation.

Furthermore, Ellie claims to be devoted to her nieces & nephews, taking them once a month for Aunt Ellie time, but then she abandons them at Christmas without a second look because she likes Shea's family better. Ellie talks about how pissed her siblings & parents were, but didn't mention a single word about the kids. There wasn't even a throwaway mention of 'Oh, I have to mail their presents,' or, 'Let me call the kids before we do anything.' Nothing.

It also turns out that her uncle is the owner of the team and therefore the man who signs Shea's paychecks. However, Ellie doesn't seem to think that Shea needs to be aware of this fact, despite the implications it could have for his career. She continually hides things from him, even when she knows she should tell him. This is nowhere more apparent than when Shea meets her family for the first time and she lets him be blindsided by her parents.

To me, throughout the entire book, Ellie is shallow and selfish. At one point, even her best friend calls her on her behavior, telling her if she doesn't get her head out of her ass, their friendship is over. In comparison, Shea comes off like a freaking saint for putting up with her (although some of the scenes with his twin sister skirted just along the edge of creepy and co-dependent) rather than an actual human being.

What made it even worse for me was that the hockey stuff was pretty good. Aleo achieved just the right balance of giving the reader enough sports stuff to make it seem legit, but not enough to overwhelm the book or intimidate readers looking for a contemporary. I also liked most of the supporting characters. If Aleo had avoided committing Ellie to specific clothing sizes and made her a dutiful daughter instead of a rebellious one (thereby eliminating some of the character inconsistencies), this probably would have been at least a three star book for me.

Review: Ball Of Furry by Celia Kyle

Ball Of Furry by Celia Kyle

My rating: 4 of 5 stars



I went back and forth about buying this. It's five chapters plus an epilogue, which, for me, makes the $3.99 price a bit of a stretch. However, the heroine is a bunny shifter and the hero is a lion shifter. The excerpt was intriguing and BUNNY/LION. I've read other books by the author and while they weren't the Best Thing Ever, I liked Kyle's writing style. So I went for it.

I don't regret spending the money, mostly because the heroine, Carly, is a spitfire. She holds the hero, Neal, at arm's length until she's sure he's going to be what she needs. Despite that show of independence, however, this is very much a Fated Mate Syndrome book. There's no emotional development and Neal doesn't really 'grow' as a character. The addition of another chapter or two (especially at the end) would have benefited the book greatly.

I haven't read the previous books in the series, but I'd read the synopses and that was pretty much all I needed to know. Ball of Furry ends on a bit of a cliff-hanger which, presumably, will lead into the next book. Due to this, I did feel like things weren't quite resolved or settled, even though, technically speaking, there weren't any loose threads left hanging.

My advice is to approach the book as a novella of sorts. I enjoyed the book because I had low expectations and I basically wanted to be amused for a bit. I did enjoy the fact that Kyle touched upon the weight displacement issue of switching between a human and a bunny. In addition, while Carly says she weighs 160lbs, her weight is not continually harped on or an 'issue.'

Review: Easy by Tammara Weber

Easy by Tammara Webber

My rating: 4 of 5 stars



I know I haven't been around much lately, mostly because I've been shot-gunning fanfic like you wouldn't believe. I was, and still am, craving a mature male POV, which is damn near impossible to find, in my preferred genres, outside of fanfic. So I haven't been reading a lot of 'original' stories.

Anyways, this book kept popping up every time I turned around so I figured I'd read it in hopes of easing out of the fanfic world. It's told entirely from Jacqueline's perspective so it didn't satisfy my craving, but my first thought after finishing is that it's much better than Beautiful Disaster by Jamie McGuire. The story flows and the characterization is excellent. Jacqueline comes off young without seeming immature. She's exactly the age she's supposed to be. The chemistry between Lucas and her is scorching. I also liked how Webber handled the rape plot-line. It added conflict to the story, was handled somewhat realistically, but didn't overwhelm the main plot, Lucas's and Jacqueline's relationship.

This is not a five-star book for me because it was fairly predictable. The ending was also a little too neat for me. Still, I enjoyed myself and I would read Webber's other books if the opportunity presented itself. I'm torn, though, on if I want a sequel to Easy or not. The story doesn't need one, but I think I want more of Jacqueline and Lucas being happy together. I guess, if it were up to me, I'd want Webber to release a 0.99 cent novella of Jacqueline's graduation or when they move in together. Just something wonderful. And easy.

RWA Librarian's Day, Panel: Focus on Historical Romance

Focus on Historical Romance

 Speakers: Suzanne Enoch, Karen Hawkins, Sabrina Jeffries & Julia London

Left to Right: RWA's Stefani Fry, Suzanne Enoch, Julia London, Sabrina Jefferies, and Karen Hawkins.

This was the second panel of the day. Four well-known historical authors came to talk about the genre. Again, I did my best to transcribe, but these ladies were having a great time so there was a lot of laughter and Julia London's voice didn't project as well as the others. Please comment with questions.

Stefani from RWA was the moderator and to kick things off, she asked the speakers about their upcoming works.

Suzanne Enoch: Next book in Scandalous Brides series (women who've opened gentleman's club in London). Talking about cover art.

Julia London: Last Debutante comes out in Feb.

Sabrina Jeffries: Next book out in October.

Karen Hawkins: September. More of a romantic comedy.


Why historical in particular, why romance?

Suzanne: Big reader, read Anne McCaffrey as a youngin'. She started writing regency romance. "Even though it's only a ten year period, there's nothing like it." There are a lot of more dukes in romances than in reall life. As long as no one does census, we'll be alright

Julia: Also big reader. Didn't really think about genre right away. Judith McNaught.

Sabrina: When in college, she hated history. Nothing about how people lived. Really interested in social history, rather than dry dates & times. Interested in how women lived. Started out with Barbara Cartland. For her, it was always about the romance.

Karen: Used to visit Grandma every Sunday, in order to pass time, she'd beg her family to let her go to library. Georgette Heyer. Read Anne McCaffrey, always like bks with romantic element the best. Loved the historical trappings (dress, etc).

Sabrina: Compares the regency era to the sixties. Much looser, morally speaking, than the following Victorian era.


What do readers say they love about your books and what do they hate about them?

Karen: People didn't like the humor.

Sabrina: Addresses misconception that all historical readers are alike. You can't hand a historical to any historical reader & expect them to like it. Very compartmentalized. Readers take it personally when authors jump time periods. People who are looking for Georgette Heyer and find the bedroom door is wide open. [She's] writing about the exception, not the rule.

Suzanne: She hears about historical inaccuracies. "After a while, I think readers get their knowledge from the romances they read and take it as fact." Frustrating because they are fiction writers.

Sabrina: Rules for formal writing has always been different from conversational  speech. No way to know exactly how people spoke back them, short of time travel.


How strictly do they adhere to historical accuracy?

Sabrina: Use it as a baseline.  Depends on audience. Some people can't read historical inaccuracies because it throws them out of the story. Thinks her readers want the drama over the factual setting.

Julia: Use it for color.

Karen: Glossy version of heroines to make it an entertaining story. Doesn't put in certain facts to keep it enjoyable (sabrina: like the fact no one shaved their legs)



The last question was "who are your must-read authors?" but I was unable to catch anything except for Loretta Chase's Lord of Scoundrels. Georgette Heyer was referenced frequently throughout the panel, though.

RWA Librarian's Day, Panel: Creative Marketing: Connecting Romance Readers and Authors at the Library

Creative Marketing: Connecting Romance Readers and Authors at the Library

Speakers: Amy Alessio, Simone Elkeles, and Susan Gibberman

Amy Alessio, Susan Gibberman, Simone Elkeles

This was the first panel of the 2012 RWA Librarian's Day on July 25th. I had my iPad and transcribed the panel as best I could. These notes are pretty much 'as is' and I may have missed some things. If anyone has any questions, please comment and I'll do my best to answer.

The panel opened with introductions and then segued into each panelist talking about what types of programs they've done in libraries.

Simone does writing programs for kids, not necessarily romance. Emphasized good story is important, not so much genre. Does a lot of programs for school & public libraries. People like to hear stories about being an author. Panels with multiple authors work really well for her. Recently judged a writing contest, short story for YA by public library. Authors and editors appreciate librarians. Authors thinking editors are the gods, but editors thinking librarians are the gods. Promises to try not to swear. Everyone who entered contest got to enter Skype session with her. If you ask, authors will do writing workshop. She never goes to events expecting to sell books, about connecting with authors. Juvie boys love Perfect Chemistry series. Detention centers love her books. Kids on probation will use public libraries. Likes networking with school.

Amy has a lot of teens on advisory board. Unvalentine parties. Mad libs: used pags from romance novels, took key words out. Advisory board has a lot of input into programs. Chocolate tasting programs. Teen chocolate tasting. Good program to kill time and it turned into actual club for various foodstuffs. online teen romance group because teens won.t come in and say they want to read romance. Run by minimally paid volunteer, trivia, quizzes, etc. Hires a YA author to teach teen writing workshops once a month. Favorite writing icebreaker is story round robin.

Susan:  All for Love. Charity event at the library, 100% proceeds went to the American Heart Association. Like a fair. Lasted for 10 years, raised over $25000 dollars. Some people are not great speakers and you don't know this until they show up and start doing. Reiterates, don't intend on selling books, goal is to connect with authors. Library offers free writing seminars. Racy-ish title piques interest, which is necessary when competing with other programs. Cross-promotioon, all five libraries advertise for each other.  Decorating flowerpots/rain barrels, public vote on the best decorated & prize won. Themed contest with books.

Simone handed out free books at a skate park. Enjoys receiving emails from readers who have a personal connection with her books.

The question was asked "What other ways do you market reader's advisory?"

Simone was given books in school she had to read and she hated them, turned her off of reading. So she writes things she wanted to read as a teen. She tells kids who say they hate to read that they'll like her book beccause it's for people who hate to read. Book Tour wanted her to read to Honors English class & she wanted to read for the remedial kids because that's who she connects with. Decided to do a rap video trailer for her book, Perfect Chemistry. Wrote rap, hired producer from Chicago, auditioned actors, & everyone liked it because it didn't take the book seriously. Internet kids, this is how she connects with them. Thinks her heroes are better than Edward. Very picky for role of Alex. Wanted dude from Katy Perry's Hot n Cold video. Found him on Linked In. Put up money to hire him. Dude agreed to do it, "sounds like it'll be  funny." She told producer to take his shirt off despite lack of shirtless scene in book. Found third brother through Facebook, actor in Freedom Writers. Encourage teens to make book trailers. Encourages librarians to reach out to authors.  Also tells librarians to reach out to authors to do guest posts on library blogs.

When Simone spoke about meeting supermodel Alex Rodriguez, Amy held up this huge poster with scenes from trailer.  All of the speakers were excellent, but Simone was particularly funny.

Susan says poll revealed most of her patrons get program information from the main library program guide, which means they have to compete with other programs. Uses HootSuite to manage library twitter accounts because she can schedule tweets. Does a special program guide just for her departments so she can put as much information as she wants.  Get every staff member involved so that if a patron inquires for writing reference materials at ref desk, reference librarian can say , hey, we have these writing workshops.